Thursday, May 24, 2012

The M Word


The M Word



When you have one kid you are the young couple with a kid. When you have two you are another typical family in the suburbs. This fact, compounded with the minivan we purchased shortly before Ginny was born, throws me into a category I never thought I’d find myself: Slightly overweight dad who lost his shades and so routinely wears his wife’s floral clad bug eyed sunglasses while cruising around in the Chevy Venture. I mean, the only thing that keeps the size of my love handles smaller than my biceps is the fact that they are as prone to flabby swelling as my mid-section.

I always knew I’d have kids (although I had performed a séance and sworn on my own shed blood that I would never own a minivan), but this stage of life still comes as a bit of a shock. I am being serious when I say that although I would never trade what I have for the general suckiness (it can be a real word if I want it to be!) of single life, I still am occasionally stricken with an onslaught of overwhelming whatthehellhappenedtome? (I just added that to Microsoft Word’s dictionary and the English language is now officially my beotch). On the other hand I am also being completely serious and honest when I say that every time I hold my baby girl the above mentioned feeling is completely vacant and replaced with a love that can only be equaled in regard to Anne or Rock.

Ginny screamed her way into the world on the nineteenth day of March. Something special has to be going on under the surface when a squalling red faced, bloody newborn can touch a person the way I have been touched twice now. There is not a more earthy and spiritual experience than child birth. All thoughts of telling the doctor I could really go for a plate of spaghetti when the placenta was delivered left my mind. So also fled various placenta jokes I’d thought of while Anne was in labor. I watched as a being who was part me entered the world, and entered my care.

I have to admit that infants are kind of a mom thing. I am fonder of the more interactive toddler stage. But still, at times when I hold Ginny I can scarce breath for the welling of emotion. I love her and she is mine to protect.

What does it come down to? I would go any length to support and protect my little family. I would suffer any image to keep what I have, whether it is cool in the eyes of my peers or not. I would suffer my soul to be condemned for betraying the pact made via séance with a particularly malignant spiritual personage (whom I will leave unnamed lest I incur his wrath even more) by purchasing the formally disavowed minivan in order to be a good dad (take that incredibly long, run-on sentence and stick it, Mr. Webster).

Tuesday, March 13, 2012

A forced break and another project...


I have been in the process of remodeling, and moving into a little house. This plus a nine month pregnant wife equals little to no writing time (including blogging). Hopefully I'll have more time soon... So what do I need to boost my daily word count? Not another project that is unrelated to said hopeful occupation, but I'm going to start it anyway. I am going to build a roll top desk based on the pictures above. I'm doing knotty alder rather than oak so it'll be a bit different. Lets just say I'm going to need to step up my writing game so it matches the beauty of the desk I'll be writing at...

Monday, February 13, 2012

Cowboys and Corpses- Hook Line and Sinker Entry

The corpse smiled and the rope burns on its neck stretched into a grin of their own. Its tobacco stained teeth showed yellow in the harsh sunlight. It stalked forward, a rusted bone handled knife in one hand. A severed rope still around its neck.
     “Let me pass,” it said, “my business ain’t with the likes a you.”
     Randall grinned in return, even as the lawyer, Thomas Baker, backed away. Randall palmed his gun and fired two shots through the hanged man’s heart.
     “Ya ain’t even gonna ask me why I got hung?” the dead man asked.
     Randall answered with another bullet, this one through the head. Thick mottled blood formed between its eyes, lacking the moisture to flow. Dead tissue exploded from the back of its head.
     It laughed. A dry amused cough from between lips with more cracks than a desert floor. “Got myself hanged fer squattin.”
     “R-Randall, it isn’t dying.” Thomas Baker said.
     “It’s already dead, Baker.” For a moment Randall considered letting the hanged man rip apart the lawyer.
Instead he walked forward and kicked it in the crotch. Randall’s late fiancé used to say habit would trump even death. The corpse grunted and dropped to its knees. She was right, damn her. He shoved aside the image of a blood covered wedding dress. No time for grief. He drew a saber from his saddlebags and cut its head off.
     “I’d been squattin there for four years,” the head said as it rolled, “raised me some beef cows and built a cabin.”
     The headless body tackled Randall in a bear hug as the head came to a stop. Randall could feel warm blood—had to be his then—trickle down his stomach. Just a scratch.
     “No one called it squattin’ till Tully King moved in with his herd,” the head continued from the ground, “he told me to move on and I done told him to go to hell. They hanged me from my own tree.”
     Randall managed to turn the gun into the corpse’s belly. The bullet threw it off balance and Randall managed to push it away. The body started forward again. Randall picked his saber up.
     “Wait!” Baker said, “It sounds like he’s innocent then!”
     Randall cut off the knife arm and a leg, “it’ll still take a bite of you given the opportunity.”
     As if to prove the point the head snapped at Baker, who had moved closer to study it. Baker leapt up and kicked the head away into a bush.
     The hand abandoned the knife and crawled toward Randall. He stepped on it as he cut the last leg from the body. He looked at the gory twitching mess for a moment before turning to Baker, “Let’s break camp. We’re burnin’ daylight.”
     Baker stared, slack jawed, “it can’t hurt anybody?”
     “It’ll decompose pretty quick now.”
     They rode away, and left the corpse crawling in circles, while its head shouted from the bush.
     “Where was it going?” Baker asked.
     “After its target.”
     “Mr. King?”
     “That would be why he hired me, and to get you to his ranch in one piece.” Randall held the reigns in teeth and rolled a smoke.
     “I thought you Pinkertons just settled union squabbles and things like that.” Baker said.
     Randall laughed without humor. “That’s the stuff that makes the papers.”
     They rode in silence for a while. Randall could see the little man bursting with questions.
     Finally Baker spoke: “It must hate Mr. King very much. That dead fellow, I mean.”
     “They always go for the one who killed them.” Randall said.
     “Can you stop them?”
     Randall raised an eyebrow.
     Baker looked back at the dismembered corpse, “I mean I know you can stop them, but can you stop them from… coming back to life?”
     “Got to find the one who’s calling them back.” Randall lit the cigarette.
     “How do they do it?”
     “Do you ever stop asking questions?”
     Baker smiled, “I will when I know everything.”
     “Whoever is doing it is likely Crow, or part. It’s their brand of hocus pocus. Got to put a piece of the corpse in a special medicine bag.”
     “Should you stop them?”
     “What the hell is that supposed to mean?” Randall experienced a moment’s frustration at the little man.
     Baker considered a moment, “If King has killed enough men to have a corpse problem big enough to call the Pinkerton’s…”
     “I’m not a Marshal. He pays and I do the job, just like you.”
     “What about justice?” Baker demanded, and shook a rolled up serial story in Randall’s face, “You westerners are supposed to be about justice—the people’s justice in a lawless, wild land!”
     Randall rolled his eyes, “I told you to quit reading those dime novels.”
“You won’t work for a murderer. I know you won’t. Your conscience won’t allow it.” Baker said.
“You just met me yesterday. Enough talk. I’ll do as I damn well please.”
They rode into Philipsburg, Montana. A new town made possible by mining, given stability by the ranchers, and—according to the telegram in Randall’s saddle bag—plagued by the undead.

Sunday, February 12, 2012

Another blogfest tomorrow! Hook, Line, and Sinker

http://jwparente.blogspot.com/2012/01/hook-line-sinker-blogfest-sign-up-link.html

Watch out for the first part of my most recent story, 'Cowboys and Corpses', and see if it hooks you...

Thursday, February 2, 2012

Snow Painting

Story for the Snow Blogfest Hosted by Roh Morgan: Snow Painting

     Thick fuzz coated John’s teeth and his breath tasted like he ate a hot pocket and a tub of stale pretzels the night before. He glimpsed the kitchen’s TV as he staggered to the bathroom. Fanatics waved signs and shouted end of days predictions. December 21 and John wondered if they were let down when they woke up to a still spinning world this morning. He supposed they’d say the day was not spent yet.
He passed the studio door and stopped to look at last night’s work. A bright array of reds and oranges covered the canvas in a sweeping arc. He listened. He knew true art would speak for itself. Nothing. He tried to ignore the letdown. An artist did not give up.
John knew he could paint. He’d done it before—really done it. Before, he’d paid the bills painting copies, but one night something special happened. That night he woke up all at once, not gradually, but instantly and completely. His fingers itched and his mind hopped along, from image to image in an art gallery he hadn’t yet created. He climbed from bed, careful not to disturb Becca, though he wanted to share his excitement with her.
John put on headphones, turned up what Becca called his angry music. The colors seemed to mix themselves. His hands seemed to move of their own volition. He wondered if religious fanatics felt this way. The whole time he imagined Becca’s face when she saw it. It was a trance, a trip, and he finished in a daze. That painting had not spoken, but sung. It sung and he waited for Becca to wake up. Never before had he felt such a high. He lay back on his chair, covered in paint, and heard a crash from behind. Becca walked past him, staring at the painting, a shattered cup in pieces on the floor as coffee soaked into the carpet.
That painting sold at auction for a cool hundred grand. The paper’s art review, written by none other than Barty Winchester, had praised the piece:
Compelled by the pulsating beat of the beautiful, wondrous, and horrific relentlessly butting clandescent heads, the work creates compositions of breathing life-like accumulation.
A meager budget gave John a year and a half to try and do it again, but nothing sang. Though a few had whispered to him, had sold for a pittance to local hotels.
This new painting remained silent. He imagined Mr. Winchesters evaluation:
Nothing but so much dross, a wasted stretch of depressed canvas, yearning like the duck to be a swan but brutally dispatched before the flowering of maturity. They say great artists sell their souls, but this painter unfortunately sold his talent.
He closed the studio door and sighed.
If only he had more time. Between a rotating shift at the hospital and his family, time to paint was rare. Last night his wife, Becca, wanted to watch a movie. As if he had time for movies or reality TV.
“How much time do just you and I have, John?” she’d asked him, “Let’s do something—play a game or watch a movie, I don’t know.”
“I have to paint. I haven’t painted anything for a month. I can’t be a painter if I don’t paint.”
Not a new conversation. John knew he shouldn’t blame her. In truth John spent more time finding animal shapes in the studio’s ceiling texture than painting. He knew writers could get blocked, but hadn’t considered it could ever happen to him. He needed routine. Sometimes it seemed like Becca resisted whenever he wanted to spend more time is the studio.
“You go back on shift tomorrow and we hardly see each other. I thought we could have some you and me time.” She smiled at him, laid a hand on his arm.
“Why is it that you won’t let me work, Becca? You don’t think I can do it? You said you’d support my dreams.” Using such cliché words and it made him angry.
“You had two hours to paint earlier and you played Mario Kart instead. You’re always doing that. I told you to go paint.” She was right, damn.
She watched TV while he stewed at a blank canvas. Finally he forced himself to do something.
Not a very good something apparently.
John stumbled onward to the bathroom. Locked. Damn. He could hear the shower. Why did she have to lock the door? He went back to the bedroom, put on slippers and robe, went out back.
It hurt to breathe the bitter cold air. New snow blanketed the yard. The breeze made the light crystalline snow swirl around his calves. John pulled down his boxer shorts and a yellow arch steamed in the frigid air.
He sighed, shivered. The stream shivered too, painting the white snow with yellow dots.
Sirens whooped in the distance, someone screamed. John looked skyward and forgot all about the pee shivers. The chill grey world made a horrible, stark contrast to the fiery red streak in the sky. If a Balrog mated then that might be what his sperm looked like. Some part of John’s mind recognized the comet for what it was, but the rest remained dumbfounded.
Talking paintings suddenly seemed ridiculous. He’d imagined dying young, dreams unfulfilled but those thoughts did not reoccur. Only Becca. He pulled up his boxer shorts and looked down at his best, most important artwork. Barty Winchester’s voice narrated evaluation:
The canvas of fresh snow clashes wonderfully with streaks and splashing puddles of dank yellow simultaneously bringing to mind the florescent dinginess of a public restroom and the frailty of mankind. But what gives it that certain beat, that visual rhythm, are the scattered droplets caused by the pee shivers, acknowledging the savage garden that is life, the randomness of existence. And the perfect offset to natural beauty? The slipper print marring the biggest yellow splotch, saying, “I am man, behold my print,” even while the work’s admirer knows print and painting will eventually melt, causing the overall reaction and inward reflection: what is really important?
It spoke to John, it yelled at John, screamed her name. He ran into the house and one slipper left yellow-wet prints on the kitchen linoleum. He faced death but didn’t think of silent artwork. He remembered the first time he’d seen Becca in the library. He remembered her smile when he proposed. John found her dressing in the bedroom and kissed her.
“I kinda like you, lady,” he said, “and I’m sorry I blamed my silent paintings on you.”
She laughed, “I know you’re stressed, John. Don’t worry so much. I’ll always talk back to you,” and she punched his arm.
Later in the afternoon John and Becca watched an American warhead collide with the comet. 
“Silly Aztecs.” John said.
“The Mayan’s, hun.”
“Oh yeah.”
They turned to go back inside. Becca took his arm and kissed his cheek, “I can clean up. Maybe you should go paint,” she said.
“Maybe I should just hang out with you. I’ll paint when he goes down for bed.”
John led Becca inside.
After December 21, 2012 John thought of Becca, his paintings spoke, sang, and worshipped Becca, and although he never knew it, Barty Winchester repeatedly praised her in the art column.

Saturday, January 28, 2012

Upcoming blogfest thingy

So I'm now at this but fellow writer Roh Morgan is hosting a blog hop on Feb 2! Read some fun snow stories including 'Mayan Snow Painting' by yours truly...
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Tuesday, January 24, 2012

My Legal Will

Death is no respecter of age, therefore I write this will on this the first day of March, 2010, in the twenty fourth year of my life.

The first orders of business are, of course, the funeral arrangements. I trust that these details will be followed meticulously by loved ones left behind.

To start with I would like to address my post life wardrobe. It is my wish to enter the incinerator wearing a white smock with a hole sewed in the middle to properly display my Tom Selleck tattoo with its nipple to nipple long mustache.

Secondly I want a man of African descent, preferably one who spent his childhood in the broncs, to do my hair and touch up prior to both the viewing and the incineration. I request this not as an advocate of equality, but because I want my limbs arranged in a particular gang sign which will be revealed to him via a sealed envelope.

Thirdly are the floral arrangements, if they can be called “floral.” I would like dried mangos to be scattered all over my body like falling rose petals, and around my neck shall be placed a garland of green tinted, under ripe bananas. This arrangement will be carried out for both the viewing and the incineration. I would like this task to be performed by some local orphans.

Number four; as indicated above I would like to be incinerated, body, fruit, tattoo, smock, and all. The only exemption will be my thumbs and my tongue, for reasons that will be revealed shortly. The following instruction is to be kept strictly confidential: I would like my dear sweet wife, AnneMarie, to secret my ashes into the funeral parlor and use them to fill the salt and pepper shakers of said house of death. This will be done in order to ensure that all attendees leave with a bit of me to take home with them. And as an added bonus, by virtue of the fruit content of my ashes, all will be cured of the constipation caused by the chili and funeral potatoes that will be served.

I believe that concludes the funeral arrangements, which leaves the accounting and distribution of all I possess to be dealt with.

First and foremost I would like to leave my inability to grow a decent mustache to Shad Seitz, who is ahead in that department.

Second is my sense of accomplishment. This I would like to leave to my dear cousin, Shane Tye, who, to my knowledge, has accomplished nothing.

Third and fourth are my senses of humor and direction which go to Christopher Tye, that he may laugh when he can’t find his way.

Fifth item shall be my utter sense of serenity and calm while in traffic. This I leave to my Uncle Mark, who needs it badly.

Number six: I leave my ability to count to Matthew Glaittli.

Tenth item is my conscience. I would like to leave this encumbrance, this tie to reality to Rachel Inkley, so that she can have a bit more room to breathe…

To Jeffrey Maw I leave the seventh item; my thumbs. What greater gift than an extra thumb for each hand? If our single set of thumbs set us apart from the lower life forms, than surely this act will set Jeff above all living, earth bound creatures.

Eighteen: I leave my tongue to Elizabeth Glaittli, so that she can say something that is not a movie line.

Last, but certainly not least I leave my children to my loving, beautiful wife Anne, to love, support, and pay for, without my help. Good luck and sorry babe. This is my last will and testament. Remember, I live on in you. Literally.

Mitchell Inkley